WUPRO CINEMA · SCREEN BUYING GUIDE
Find the right screen for your setup.
Then explore the materials that make the difference.
Find the right screen for your projector, room and viewing habits.
Your room and projector determine which materials are suitable.
Planning guidance: confirm the final projector model and supported image size before ordering.
UNDERSTAND YOUR OPTIONS
Start with your projector type. Focus on the differences that matter in your room.
Soft Grey Matte, Soft White Matte and Woven AT work with UST, short-, standard- and long-throw projectors. They are mainly used with standard / long throw; room-light control remains important.
High contrast, deep blacks and excellent overhead light rejection, with wide viewing coverage for UST.
LimitationsFixed-frame sizes 130–150″ are seamed; control strong side/front light.
MATERIAL DETAILS · CLR
A black lenticular optical surface uses angled reflective faces to direct light from a UST projector toward the audience, while dark layers absorb light arriving from above.
Fixed-frame sizes 130–150″ are seamed; control strong side/front light.
Available sizes and specifications depend on the screen model. Choose a series to explore its options.
Gain and light-rejection figures can vary by screen version. Check the selected model’s specifications. Brightness guidance is not a compatibility cutoff.
Wide-viewing CLR for large UST images, with overhead light rejection and seamless options up to 150″.
LimitationsSlightly lower contrast and light rejection than CBSP. Subtle vertical texture may be visible when the screen is off, but not during projection.
MATERIAL DETAILS · CLR
A sawtooth lenticular surface reflects light from below toward the seating area while its dark optical layers absorb overhead light. One-piece construction is available on the specified large-screen models.
Slightly lower contrast and light rejection than CBSP. Subtle vertical texture may be visible when the screen is off, but not during projection.
Available sizes and specifications depend on the screen model. Choose a series to explore its options.
Gain and light-rejection figures can vary by screen version. Check the selected model’s specifications. Brightness guidance is not a compatibility cutoff.
Extremely high contrast and WUPRO’s best UST light rejection, ideal for bright rooms and central seating.
LimitationsBrightest near the centre; dims toward wide seats.
MATERIAL DETAILS · ALR
Concentric Fresnel optical structures redirect UST projector light toward the audience and suppress unwanted light from above and the sides.
Brightest near the centre; dims toward wide seats.
Available sizes and specifications depend on the screen model. Choose a series to explore its options.
At ±22° horizontally, brightness is 50% of the on-axis peak. The nominal 160° viewing angle does not mean uniform brightness across that range.
Gain and light-rejection figures can vary by screen version. Check the selected model’s specifications. Brightness guidance is not a compatibility cutoff.
Value-focused UST CLR options with effective overhead light rejection and a wide viewing area.
LimitationsAvoid strong light directly on the screen. Fixed frame only; up to 133″.
MATERIAL DETAILS · CLR
BSP and KBSP use black lenticular optical surfaces to direct UST light toward the audience and absorb overhead light. Available as fixed-frame screens, with sizes up to 133″ across the range.
Avoid strong light directly on the screen. Fixed frame only; up to 133″.
Available sizes and specifications depend on the screen model. Choose a series to explore its options.
Up to 133″ across the range; KBSP offers a one-piece 133″.
Up to 133″ across the range; KBSP offers a one-piece 133″.
Gain and light-rejection figures can vary by screen version. Check the selected model’s specifications. Brightness guidance is not a compatibility cutoff.
WUPRO’s best standard / long-throw image: deep blacks, exceptional contrast, strong light rejection and low speckle.
LimitationsFixed frame only. Designed for standard / long throw, not UST.
MATERIAL DETAILS · CLR
A specialized lenticular optical structure controls unwanted light while preserving image contrast and reducing visible laser speckle, including with RGB triple-laser projectors.
Fixed frame only. Designed for standard / long throw, not UST.
Available sizes and specifications depend on the screen model. Choose a series to explore its options.
16:9 up to 130″; wider CinemaScope formats up to 160″
Gain and light-rejection figures can vary by screen version. Check the selected model’s specifications. Brightness guidance is not a compatibility cutoff.
Deep blacks, excellent contrast and strong ambient light rejection for standard / long-throw projectors.
LimitationsRGB laser projectors can produce pronounced speckle. Test a sample if sensitive.
MATERIAL DETAILS · ALR
A dark, multilayer optical surface is designed to improve perceived contrast and reject unwanted ambient light while preserving a detailed projected image.
RGB laser projectors can produce pronounced speckle. Test a sample if sensitive.
Material is preselected on the LeApex and FlowArc product pages. Choose your size and finish there.
Gain and light-rejection figures can vary by screen version. Check the selected model’s specifications. Brightness guidance is not a compatibility cutoff.
High brightness, crisp detail and enhanced 3D performance for standard / long-throw projection.
LimitationsRGB laser projectors can produce pronounced speckle. Test a sample if sensitive.
MATERIAL DETAILS · High gain
A high-gain optical surface delivers bright images, crisp detail for high-resolution projection and strong 3D presentation, with a degree of ambient-light resistance. LT Lenticular and Black Crystal provide stronger light rejection.
RGB laser projectors can produce pronounced speckle. Test a sample if sensitive.
Material is preselected on the LeApex and FlowArc product pages. Choose your size and finish there.
Gain and light-rejection figures can vary by screen version. Check the selected model’s specifications. Brightness guidance is not a compatibility cutoff.
The best balance of lower laser speckle, deeper blacks and tolerance of a little ambient light.
LimitationsNot a dedicated ALR / CLR material. Keep ambient light low and controlled.
MATERIAL DETAILS · Non-ALR
A soft grey optical coating on a flexible screen surface produces diffuse reflection, helping deepen perceived blacks while keeping visible laser speckle low.
Not a dedicated ALR / CLR material. Keep ambient light low and controlled.
Material is preselected on the LeApex and FlowArc product pages. Choose your size and finish there.
Gain and light-rejection figures can vary by screen version. Check the selected model’s specifications. Brightness guidance is not a compatibility cutoff.
Higher brightness than Soft Grey Matte, with low speckle and wide viewing coverage. Dark rooms only.
LimitationsDark room only; ambient light and room reflections reduce contrast.
MATERIAL DETAILS · Non-ALR
A matte white optical coating diffuses projected light broadly, producing a bright image with low visible speckle. For dark rooms only.
Dark room only; ambient light and room reflections reduce contrast.
Material is preselected on the LeApex and FlowArc product pages. Choose your size and finish there.
Gain and light-rejection figures can vary by screen version. Check the selected model’s specifications. Brightness guidance is not a compatibility cutoff.
WUPRO’s best speckle suppression, near-zero visible speckle and acoustic transparency for speakers behind the image.
LimitationsWeave may show up close. No ambient light rejection; controlled lighting required.
MATERIAL DETAILS · Non-ALR
A fine woven projection surface allows sound to pass through the image area. Its textile structure helps minimize visible laser speckle while supporting speaker placement behind the screen.
Weave may show up close. No ambient light rejection; controlled lighting required.
Available sizes and specifications depend on the screen model. Choose a series to explore its options.
Gain and light-rejection figures can vary by screen version. Check the selected model’s specifications. Brightness guidance is not a compatibility cutoff.
Using a short-throw projector in a dark room? You can also explore .
Select two or three materials to compare.
Material characteristics are a starting point. Use the finder above to check size, installation and seating requirements together. ALR / CLR rates are model-specific; light direction and test conditions affect comparisons. Value comparisons assume the same size, installation format and market.
REFUNDABLE A4 SAMPLE PACK
A LITTLE MORE CLARITY
Simple answers to the details that can change your decision.
After you order a full-size projector screen at wuprobuy.com, the refund process depends on where you purchased your A4 sample pack:
Fresnel generally offers higher central brightness and stronger rejection of side and mixed-direction ambient light. It also rejects overhead light, but its best viewing area is narrower.
Lenticular UST CLR prioritises overhead-light rejection with a wider, more even viewing area. It can be the better overall fit for broad seating or a tighter budget. Overhead lighting alone does not establish that CLR rejects more light than Fresnel.
Woven AT provides WUPRO’s strongest speckle suppression, with little to nearly no visible speckle. It also allows speakers behind the image, but has no ALR and its weave may be visible up close.
For standard / long throw in controlled low light, Lenticular LT combines low speckle with excellent contrast and light rejection; Soft Grey Matte is the lower-cost option. Soft White Matte is brighter than Soft Grey Matte and is for dark rooms only. Consider Woven AT when speckle sensitivity is very high or speakers must sit behind the image.
Fresnel depends on the projector. Black Crystal and Grey Crystal can show pronounced speckle with RGB laser projectors. Test the intended material with your own projector; no material guarantees zero speckle in every setup.
The nominal viewing angle is 160°. Recommended viewing position: centered seating.
The horizontal half-gain viewing angle is ±22° (44° total). At 22° to either side of the centre, brightness falls to 50% of its central peak.
These figures describe different measurements. The 160° nominal rating does not mean brightness is even across that entire range.
Choose central seating for Fresnel. If several viewers sit far to the sides, compare Lenticular CLR materials for more even brightness across the seating area.
Yes, but gain is only one factor. With some RGB laser projectors, higher-gain or more directional screens can make speckle more noticeable, while lower-gain or more diffusive materials may reduce it.
Surface structure and coatings can matter just as much as gain. Do not judge speckle performance by gain alone; compare the actual material and projector combination.
WUPRO currently offers fixed-frame Fresnel screens. Motorized versions are coming soon.
Yes. Soft Grey Matte, Soft White Matte and Woven AT are universal options compatible with UST, short-, standard- and long-throw projection, though they are mainly used with standard / long throw.
For UST, a flat, evenly tensioned surface and accurate positioning are especially important. Control room light and check image uniformity, visible texture and speckle with your own projector. These materials are not substitutes for dedicated UST light-rejecting optics in a bright room.
ALR means ambient light rejecting. CLR emphasizes ceiling light rejection. Neither label means that all light from every direction is removed, or that a material works with every projector.
In this guide, Fresnel UST and Black Crystal are labeled ALR; CBSP, Lenticular UST, BSP / KBSP and Lenticular LT are labeled CLR. Grey Crystal is not ALR. Choose by the material’s actual optical design, projector compatibility and room lighting—not by the acronym alone.
